apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flower Seller at La Madeleine
Flower Seller at La Madeleine by Edouard Cortes

plate no. 6786

Flower Seller at La Madeleine

Edouard Cortes

oilPost-Impressionismcityscapecityscapefiguresflowersbuildingstreesstreet
some experience helpful

This painting offers practice in depicting atmospheric perspective and creating depth through color and value changes. Students can also learn to simplify complex scenes by focusing on key shapes and using loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings, figures, and the flower stall.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color, paying attention to light and shadow.

  3. step 03

    Block in the main colors of the buildings, sky, and street, using a limited palette.

  4. step 04

    Add details to the figures, focusing on their shapes and gestures.

  5. step 05

    Paint the flower stall, using a variety of colors and textures to create a sense of abundance.

  6. step 06

    Develop the trees and foliage, using broken brushstrokes to suggest leaves and branches.

  7. step 07

    Refine the details and add highlights to create a sense of light and atmosphere.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · titanium white · cadmium red · yellow ochre · ultramarine blue

secondary · burnt umber · viridian green · cadmium yellow

Mix various grays and browns by combining ultramarine blue, burnt umber, and white. Achieve the red awning color by mixing cadmium red with a touch of yellow ochre. Create greens by mixing viridian green with cadmium yellow and white.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Using too many colors
  • →Ignoring the value structure
  • →Creating flat, lifeless colors

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov