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home·artworks·Flower Merchant in Paris
Flower Merchant in Paris by Xavier Martinez

plate no. 5100

Flower Merchant in Paris

Xavier Martinez, 1900

oilTonalismgenre paintingflowersfigurestreet scenecartbuildingpeople
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and simplifying complex scenes into basic shapes and values. It also provides practice in rendering figures and flowers with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the composition: the cart, figures, and building.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color, focusing on the light and shadow patterns.

  3. step 03

    Block in the main colors of the background, using muted tones to create atmospheric perspective.

  4. step 04

    Paint the figures, simplifying their forms and focusing on their gestures and poses.

  5. step 05

    Add the flowers, using a variety of reds, oranges, and yellows to create a vibrant focal point.

  6. step 06

    Refine the details of the cart and other elements, paying attention to their textures and forms.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · raw sienna

Mix neutral grays by combining burnt umber and ultramarine blue with varying amounts of white. Muted reds and oranges can be achieved by mixing cadmium red with burnt umber and yellow ochre.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·value studies

common pitfalls

  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Failing to establish a strong value structure
  • →Ignoring atmospheric perspective
  • →Making the figures too detailed

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for a slightly textured surface. Consider using a toned canvas to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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