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home·artworks·Flock between two twilights
Flock between two twilights by Jesús Meneses del Barco

plate no. 0023

Flock between two twilights

Jesús Meneses del Barco, 1978

watercolor, gouacheContemporary Realismlandscapelandscapeskysheepfieldfigureshorizon
some experience helpful

Recreating this painting will help students develop skills in layering washes, creating atmospheric perspective, and simplifying complex forms into basic shapes. It also provides practice in rendering a sense of depth and distance with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and major landforms.

  2. step 02

    Apply a thin wash of diluted grey/blue for the sky, leaving a lighter area for the sun.

  3. step 03

    Establish the mid-ground with a mix of browns, greens, and greys, using horizontal brushstrokes.

  4. step 04

    Add darker values to the foreground using thicker paint and more visible brushstrokes.

  5. step 05

    Paint the sheep as simplified shapes, using white and grey, suggesting form with shadows.

  6. step 06

    Add the figures of the shepherd and donkey, keeping them simple and dark.

  7. step 07

    Refine details in the foreground, adding texture with dry brush techniques.

  8. step 08

    Add final highlights to the sheep and the sun to create focal points.

color palette

primary · grey · yellow ochre · burnt umber

secondary · white · ultramarine blue · raw sienna

Mix greys by combining ultramarine blue and burnt umber with varying amounts of white. Achieve earth tones by mixing yellow ochre, burnt umber, and raw sienna.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·simplified forms
  • ·layering washes

common pitfalls

  • →Overworking the details, losing the loose and expressive quality.
  • →Making the values too uniform, flattening the sense of depth.
  • →Using too much water, resulting in uncontrolled washes.
  • →Not simplifying the forms of the sheep enough, making them appear cluttered.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints
  • ·Gouache paints
  • ·Round brushes (various sizes)
  • ·Flat brush (1 inch)
  • ·Water container
  • ·Palette
  • ·Masking tape

optional

  • ·Palette knife
  • ·Spray bottle
  • ·Easel

Use high-quality watercolor paper to prevent buckling. Gouache can be used to add opacity and highlights.

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watercolor techniques →how to learn by studying the masters →
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