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home·artworks·Flatford Mill
Flatford Mill by Frances Hodgkins

plate no. 5582

Flatford Mill

Frances Hodgkins

oilPost-Impressionismlandscapebuildingswatertreesbridgesreflectionslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing reflections in water. It also provides practice in simplifying complex scenes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the buildings, trees, and water.

  2. step 02

    Block in the large areas of color, starting with the sky and water.

  3. step 03

    Add the darker values to define the shadows and create depth.

  4. step 04

    Begin layering colors to build up the forms of the trees and buildings.

  5. step 05

    Paint the reflections in the water, paying attention to the colors and shapes.

  6. step 06

    Add details to the bridges and buildings, using smaller brushstrokes.

  7. step 07

    Refine the highlights and shadows to create a sense of light and atmosphere.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · Prussian blue · Burnt umber · Yellow ochre · Titanium white

secondary · Sap green · Cadmium red

Mix Prussian blue and burnt umber for the darker tones in the water and trees. Use yellow ochre and white to create the lighter tones in the buildings and sky. Add small amounts of cadmium red to warm up the browns and greens.

techniques

  • ·Blocking in
  • ·Layering
  • ·Dry brushing
  • ·Scumbling
  • ·Impasto

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Not paying attention to the reflections in the water.
  • →Using too much detail in the foliage.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (Prussian blue, Burnt umber, Yellow ochre, Titanium white, Sap green, Cadmium red)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retarder medium
  • ·Varnish

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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