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home·artworks·Fishing Port
Fishing Port by Maurice de Vlaminck

plate no. 0600

Fishing Port

Maurice de Vlaminck, 1911

oil, canvasPost-Impressionismlandscapeboatsbuildingswaterskyharborfigures
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes and simplifying complex scenes into basic shapes. It also provides practice in mixing muted colors and creating atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, boats, and horizon line using light pencil strokes.

  2. step 02

    Block in the large areas of color for the sky, water, and land using thin washes.

  3. step 03

    Establish the darkest values in the foreground buildings and boats.

  4. step 04

    Begin adding details to the buildings and boats, focusing on capturing the light and shadow.

  5. step 05

    Refine the reflections in the water, using horizontal brushstrokes.

  6. step 06

    Add highlights to the buildings and boats to create a sense of depth.

  7. step 07

    Paint the sky with expressive brushstrokes, blending the colors to create a cloudy effect.

  8. step 08

    Add final details such as the figures in the boats and the flags on the masts.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ultramarine blue

Achieve the muted tones by mixing complementary colors and adding white or black to adjust the value. Use yellow ochre and raw umber for the warm tones of the buildings and boats. Mix ultramarine blue and burnt sienna for the darker areas.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a strong value structure.
  • →Not simplifying the complex shapes of the buildings and boats.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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