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home·artworks·First Branch of the White River, Vermont
First Branch of the White River, Vermont by Edward Hopper

plate no. 6030

First Branch of the White River, Vermont

Edward Hopper, 1938

watercolorNew Realismlandscaperivertreeslandscapehillsskyroad
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve natural greens and blues, as well as understanding atmospheric perspective to create depth in a landscape. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the river's curve, the hills in the background, and the major tree groupings.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Apply a thin wash of light blue for the sky, allowing it to dry.

  4. step 04

    Begin layering in the distant hills with muted greens and blues, using a wet-on-wet technique for soft edges.

  5. step 05

    Mix various shades of green for the trees, using darker values for shadows and lighter values for highlights.

  6. step 06

    Paint the river with a mix of blues, greens, and grays, reflecting the colors of the sky and surrounding landscape.

  7. step 07

    Add details to the foreground trees and foliage, using smaller brushstrokes and varying the color temperature.

  8. step 08

    Refine the details and add any final touches, such as the road and the small building.

color palette

primary · viridian green · cerulean blue · yellow ochre

secondary · raw umber · titanium white · cadmium yellow light

Achieve the various greens by mixing viridian green with yellow ochre and a touch of blue. Muted blues are created by mixing cerulean blue with raw umber and white. Use white to lighten values and create highlights.

techniques

  • ·wet-on-wet blending
  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·simplified forms

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using too much pure color without mixing.
  • →Failing to establish a clear value structure.
  • →Not simplifying complex shapes.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·#6 round brush
  • ·#10 flat brush
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

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