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home·artworks·Filipino Struggles Through History
Filipino Struggles Through History by Botong Francisco

plate no. 7541

Filipino Struggles Through History

Botong Francisco, 1964

oil, canvasSocial Realismhistory paintingfiguresweaponsbattlehistoryrevolutionsea
experienced study

Recreating this painting will help students develop skills in figure drawing, foreshortening, and creating dynamic compositions with multiple subjects. It also provides practice in color mixing to achieve realistic skin tones and rendering textures of clothing and weapons.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, focusing on the placement of the main figures and key elements.

  2. step 02

    Refine the sketch, paying attention to proportions and anatomical details of the figures.

  3. step 03

    Block in the main color areas, using thin washes of paint.

  4. step 04

    Begin building up layers of color, focusing on creating depth and dimension through shading and highlights.

  5. step 05

    Work on the details of the figures, including facial features, clothing, and weapons.

  6. step 06

    Add the background elements, such as the sea, ships, and sky.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final details and highlights to create a sense of realism and dynamism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use ultramarine blue and burnt umber to create darker shadows. Mix cadmium red with white for the red flag and accents.

techniques

  • ·figure drawing
  • ·foreshortening
  • ·layering
  • ·blending
  • ·dry brushing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to accurately capture the proportions and anatomy of the figures.
  • →Using colors that are too saturated or unrealistic.
  • →Creating a composition that feels static or unbalanced.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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