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home·artworks·Figures in the Courtyard of a Mosque
Figures in the Courtyard of a Mosque by Edwin Lord Weeks

plate no. 4212

Figures in the Courtyard of a Mosque

Edwin Lord Weeks, 1895

oil, canvasOrientalismcityscapearchitecturecourtyardfigureswatertreesmosque
some experience helpful

Recreating this painting will help students develop skills in rendering architectural details, capturing reflections in water, and depicting figures in a realistic manner. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective.

  2. step 02

    Block in the main shapes and values, focusing on the large areas of light and shadow.

  3. step 03

    Start with the sky and then move to the background architecture, gradually working your way forward.

  4. step 04

    Pay close attention to the reflections in the water, capturing the distorted shapes and colors.

  5. step 05

    Add details to the figures, focusing on their poses and clothing.

  6. step 06

    Refine the architectural details, such as the arches and domes.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious overall effect.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · ivory black

Mix raw umber and white for the stone architecture. Use cerulean blue with a touch of white for the sky. Mix burnt sienna and yellow ochre for the warmer tones in the foreground.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·figure drawing

common pitfalls

  • →Getting the perspective wrong, especially with the architecture.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, titanium white, cerulean blue, yellow ochre, burnt sienna, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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