apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·FiesVenice S. Pietro in Vol(also known as The Day Before the Fiesta, St. Pietro in Volte)
FiesVenice S. Pietro in Vol(also known as The Day Before the Fiesta, St. Pietro in Volte) by Maurice Prendergast

plate no. 5136

FiesVenice S. Pietro in Vol(also known as The Day Before the Fiesta, St. Pietro in Volte)

Maurice Prendergast, 1899

oilPost-Impressionismcityscapecityscapefiguresflagsbuildingsstreetfestivities
some experience helpful

Recreating this painting will help students develop skills in layering transparent washes and capturing movement with loose brushstrokes. It also offers practice in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of figures and buildings.

  2. step 02

    Apply a light wash of blue for the sky, allowing it to vary in intensity.

  3. step 03

    Block in the larger areas of color for the buildings and flags with diluted washes.

  4. step 04

    Layer darker washes to define the shadows and create depth.

  5. step 05

    Add details to the figures, using quick, expressive brushstrokes.

  6. step 06

    Use dry brush technique to create texture in the foreground and on the buildings.

  7. step 07

    Refine the colors and values, adjusting as needed to create a sense of atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · cerulean blue · cadmium red · yellow ochre

secondary · burnt umber · sap green · ultramarine blue

Mix various shades of brown and gray by combining the primary colors. Use plenty of water to achieve transparent washes. Create brighter reds and yellows by using them directly from the tube.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the washes.
  • →Making the colors too saturated and losing the subtle variations.
  • →Focusing too much on details and neglecting the overall composition.
  • →Not allowing each layer to dry before applying the next.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette
  • ·masking tape
  • ·sketching pencil

optional

  • ·palette knife
  • ·gouache
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov