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home·artworks·Farmyard at La Percaillerie (Normandy)
Farmyard at La Percaillerie (Normandy) by Albert Marquet

plate no. 6454

Farmyard at La Percaillerie (Normandy)

Albert Marquet, 1901

oilPost-Impressionismlandscapebuildingstreeslandscapefarmyardpathsky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using expressive brushstrokes to suggest detail rather than rendering it precisely. It's also good practice for color mixing to achieve naturalistic greens and earth tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and path, focusing on overall composition.

  2. step 02

    Block in the sky with a thin wash of light blue.

  3. step 03

    Establish the main color masses for the buildings using a mix of browns, yellows, and whites.

  4. step 04

    Paint the trees with varying shades of green, using darker tones for shadows and lighter tones for highlights.

  5. step 05

    Define the path with a base of yellow ochre and add variations with browns and greens.

  6. step 06

    Add details to the buildings, such as windows and roof lines, using small, deliberate brushstrokes.

  7. step 07

    Refine the foliage with broken brushstrokes to create texture and depth.

  8. step 08

    Add final highlights and shadows to enhance the overall form and dimension.

color palette

primary · yellow ochre · burnt umber · titanium white · sap green

secondary · ultramarine blue · cadmium yellow light · raw sienna

Mix greens by combining yellow and blue with varying amounts of white. Achieve earth tones by mixing browns, yellows, and a touch of blue or green to desaturate.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·color temperature variation
  • ·simplified forms

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle color variations within the greens and browns.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, burnt umber, titanium white, sap green, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-tooth canvas for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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