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home·artworks·Farm in Brittany
Farm in Brittany by Paul Gauguin

plate no. 9947

Farm in Brittany

Paul Gauguin, 1894

oil, canvasPost-Impressionismlandscapelandscapebuildingstreesskyruralfarm
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex forms into basic shapes. It also provides practice in creating a sense of atmosphere through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and horizon line using light pencil strokes.

  2. step 02

    Block in the main color areas for the sky, background fields, buildings, and foreground grass.

  3. step 03

    Begin layering colors within each area, starting with darker tones and gradually adding lighter highlights.

  4. step 04

    Use short, broken brushstrokes to create texture in the trees, grass, and building surfaces.

  5. step 05

    Mix and apply colors for the rooftops, paying attention to the subtle variations in hue and value.

  6. step 06

    Add details such as windows, doors, and chimneys to the buildings.

  7. step 07

    Refine the shapes and colors of the trees, adding highlights and shadows to create depth.

  8. step 08

    Make final adjustments to the overall composition, ensuring a harmonious balance of colors and values.

color palette

primary · yellow ochre · viridian green · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red · raw umber

Achieve the muted greens by mixing viridian green with yellow ochre and a touch of raw umber. Create the reddish-brown hues by blending burnt sienna with cadmium red and a touch of ultramarine blue.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →overworking the details
  • →using colors straight from the tube without mixing
  • →creating muddy colors
  • →losing the overall sense of light and atmosphere

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (yellow ochre, viridian green, burnt sienna, titanium white, ultramarine blue, cadmium red, raw umber)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing and achieve a more harmonious result.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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