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home·artworks·Evening Arroyo
Evening Arroyo by John French Sloan

plate no. 9521

Evening Arroyo

John French Sloan, 1919

oil, canvasNew Realismlandscapelandscapeskycloudsmountainstreesbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering colors to create depth. It also provides practice in capturing the texture of clouds and foliage with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, mountains, tree, and cloud formations.

  2. step 02

    Block in the sky with a base layer of blue, leaving space for clouds.

  3. step 03

    Establish the mountain range with a mix of browns and purples, varying the values.

  4. step 04

    Paint the foreground field using a mix of earth tones, creating variations in color and texture.

  5. step 05

    Add the dark tree on the right, paying attention to its silhouette.

  6. step 06

    Develop the cloud formations, using grays, whites, and hints of pink to create depth and volume.

  7. step 07

    Add the details of the buildings and foliage in the middle ground.

  8. step 08

    Refine the overall composition, adjusting values and adding highlights where needed.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · payne's gray · sap green

Mix blues and whites for the sky, adding a touch of gray for cloud shadows. Combine burnt umber, cadmium red, and ultramarine blue for the mountains. Use yellow ochre and burnt umber for the foreground.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overblending the clouds, resulting in a flat, unrealistic appearance.
  • →Making the foreground too uniform in color and texture.
  • →Ignoring the subtle color variations in the mountains.
  • →Failing to create a sense of depth through atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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