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home·artworks·Euclid Avenue, May 31, 1916
Euclid Avenue, May 31, 1916 by Charles E. Burchfield

plate no. 7522

Euclid Avenue, May 31, 1916

Charles E. Burchfield, 1916

oilNew Realismlandscapetreesstreetshadowsfoliageroadlandscape
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and use color to represent light and shadow. It also provides practice in capturing the essence of a scene with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the trees and the road, focusing on composition.

  2. step 02

    Block in the large areas of color for the sky, foliage, and road using diluted washes.

  3. step 03

    Add darker values to define the shadows cast by the trees, paying attention to their shapes.

  4. step 04

    Layer in the mid-tones on the tree trunks, using a dry brush technique to suggest texture.

  5. step 05

    Introduce secondary colors to create depth and variation in the foliage and shadows.

  6. step 06

    Refine the details of the road and the distant figures, keeping them simple and suggestive.

  7. step 07

    Add final touches to the highlights and shadows to enhance the contrast and create a sense of light.

  8. step 08

    Review and adjust the overall balance of the painting, ensuring that the focal point remains clear.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · sap green · purple · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Create shadows by mixing burnt umber with ultramarine blue or purple.

techniques

  • ·dry brush
  • ·layering
  • ·color mixing
  • ·value studies
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the spontaneity of the original.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Failing to establish a clear focal point, making the composition feel cluttered.
  • →Ignoring the importance of value contrast in creating depth and dimension.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·masking tape
  • ·pencil

optional

  • ·palette knife
  • ·gouache
  • ·kneaded eraser

Use a rough texture watercolor paper to enhance the dry brush effect. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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