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home·artworks·Esther Choisie Par Assuérus
Esther Choisie Par Assuérus by Filippino Lippi

plate no. 6672

Esther Choisie Par Assuérus

Filippino Lippi, 1480

oilEarly Renaissancereligious paintingfiguresarchitecturecolumnsinteriorreligious scenedrapery
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in color mixing to achieve the subtle hues of the Renaissance palette.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the overall composition and placement of figures and architectural elements.

  2. step 02

    Establish the background elements, including the architectural details and the distant scenes, using light washes of color.

  3. step 03

    Block in the main figures with simplified shapes and basic color tones, paying attention to proportions and gestures.

  4. step 04

    Develop the drapery, using highlights and shadows to create volume and folds.

  5. step 05

    Refine the facial features and hands, adding subtle details and expressions.

  6. step 06

    Add details to the architectural elements, such as columns and arches, using linear perspective.

  7. step 07

    Glaze and layer colors to achieve depth and luminosity, especially in the figures' clothing.

  8. step 08

    Add final touches, such as highlights and shadows, to enhance the overall realism and atmosphere.

color palette

primary · rose madder · yellow ochre · ivory black · lead white

secondary · viridian · ultramarine blue · burnt umber

Achieve the muted tones by mixing earth pigments with white and small amounts of other colors. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·linear perspective
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →overworking details too early
  • →inaccurate proportions of figures
  • →muddy color mixing
  • →lack of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·gesso
  • ·rose madder oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·lead white oil paint
  • ·linseed oil
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·dammar varnish
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Prepare the canvas with several layers of gesso for a smooth surface.

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oil painting for beginners →how to learn by studying the masters →
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