
plate no. 1956
Paul Henry, 1920
This painting is great for learning atmospheric perspective and how to simplify complex forms into basic shapes. Students will also practice mixing muted colors and creating soft transitions.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountain, hills, and shoreline, paying attention to proportions.
Block in the sky with a light, cloudy gray, using soft blending techniques.
Establish the base color of the mountain, a muted blue-gray, and gradually build up highlights and shadows.
Paint the distant hills with progressively darker and cooler shades of blue-gray to create depth.
Add the water, reflecting the sky and mountain colors with horizontal strokes.
Define the shoreline with browns and greens, adding subtle variations in tone.
Refine the details of the mountain, adding texture and subtle color variations.
Add final highlights and shadows to enhance the overall sense of depth and atmosphere.
color palette
primary · ultramarine blue · titanium white · raw umber
secondary · yellow ochre · burnt sienna
Mix ultramarine blue and raw umber with white to create the various shades of gray and blue-gray for the mountain and sky. Add small amounts of yellow ochre or burnt sienna to warm up the browns and greens for the shoreline.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.
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