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home·artworks·Errigal, Co. Donegal
Errigal, Co. Donegal by Paul Henry

plate no. 1956

Errigal, Co. Donegal

Paul Henry, 1920

oilPost-Impressionismlandscapemountainlakeskycloudslandscapehills
suitable for beginners

This painting is great for learning atmospheric perspective and how to simplify complex forms into basic shapes. Students will also practice mixing muted colors and creating soft transitions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain, hills, and shoreline, paying attention to proportions.

  2. step 02

    Block in the sky with a light, cloudy gray, using soft blending techniques.

  3. step 03

    Establish the base color of the mountain, a muted blue-gray, and gradually build up highlights and shadows.

  4. step 04

    Paint the distant hills with progressively darker and cooler shades of blue-gray to create depth.

  5. step 05

    Add the water, reflecting the sky and mountain colors with horizontal strokes.

  6. step 06

    Define the shoreline with browns and greens, adding subtle variations in tone.

  7. step 07

    Refine the details of the mountain, adding texture and subtle color variations.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna

Mix ultramarine blue and raw umber with white to create the various shades of gray and blue-gray for the mountain and sky. Add small amounts of yellow ochre or burnt sienna to warm up the browns and greens for the shoreline.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·soft blending
  • ·layering
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth through tonal variations.
  • →Not simplifying the shapes enough, making the painting look too busy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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