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home·artworks·Ernest Egbert Blyth, Last Mayor & First Lord Mayor of Norwich
Ernest Egbert Blyth, Last Mayor & First Lord Mayor of Norwich by William Orpen

plate no. 5814

Ernest Egbert Blyth, Last Mayor & First Lord Mayor of Norwich

William Orpen, 1911

oilPost-Impressionismportraitportraitfigurecityscaperobeskybuilding
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex textures like fur and fabric. It also provides practice in creating a sense of depth and atmosphere in the background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background with a thin wash of muted colors, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, using simplified forms and values.

  4. step 04

    Develop the details of the face, carefully observing the light and shadow to create a realistic likeness.

  5. step 05

    Render the textures of the robe, fur, and other garments, using a variety of brushstrokes and techniques.

  6. step 06

    Add the details of the cityscape in the background, keeping it soft and slightly out of focus.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a harmonious and balanced image.

color palette

primary · ivory black · cadmium red · raw umber · titanium white

secondary · yellow ochre · ultramarine blue

Mix muted greens and blues for the sky and distant landscape. Use white to lighten values and create highlights. Mix reds and browns for the fur and robe, adding touches of black for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong
  • →Overworking the details
  • →Failing to create a sense of depth
  • →Using colors that are too bright or saturated

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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