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home·artworks·Equestrian Portrait of the Architect Barthélemy-Michel Hazon in the Costume of a Turkish Mufti
Equestrian Portrait of the Architect Barthélemy-Michel Hazon in the Costume of a Turkish Mufti by Joseph-Marie Vien

plate no. 2106

Equestrian Portrait of the Architect Barthélemy-Michel Hazon in the Costume of a Turkish Mufti

Joseph-Marie Vien, 1748

oilOrientalismportraithorsefigureportraitlandscapearchitecturebook
experienced study

Recreating this painting will help students develop skills in rendering complex textures like fur and fabric, as well as understanding how to create depth through atmospheric perspective and value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horse and rider.

  2. step 02

    Establish the background landscape with broad, muted tones.

  3. step 03

    Block in the main shapes of the horse and rider, paying attention to proportions.

  4. step 04

    Begin refining the details of the horse, including musculature and coat texture.

  5. step 05

    Develop the rider's clothing, focusing on the folds and textures of the fabric.

  6. step 06

    Add details to the face and hands, paying attention to light and shadow.

  7. step 07

    Refine the background elements, adding details to the architecture.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · ivory black · yellow ochre

secondary · cadmium green · alizarin crimson · ultramarine blue · burnt sienna

Mix various browns and grays by combining raw umber, ivory black, and titanium white. Use yellow ochre to create warm highlights on the horse and rider's clothing. Mix greens by combining cadmium green and yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering fur

common pitfalls

  • →Getting the proportions of the horse wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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