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home·artworks·Entrance to Halifax Harbour
Entrance to Halifax Harbour by A.Y. Jackson

plate no. 2301

Entrance to Halifax Harbour

A.Y. Jackson, 1919

oilPost-Impressionismlandscapetownsnowharborbuildingsskyhills
some experience helpful

Recreating this painting will help students develop skills in applying broken color and creating a sense of depth through layering and color temperature. It also encourages simplification of forms and expressive brushwork.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the town, hills, and water.

  2. step 02

    Establish the sky and water with broad strokes, using a muted color palette.

  3. step 03

    Block in the larger shapes of the hills and foreground, using earth tones and varying the color temperature to suggest depth.

  4. step 04

    Add the basic shapes of the buildings, focusing on their relative sizes and positions.

  5. step 05

    Begin layering colors and textures to create the effect of snow and the varied surfaces of the buildings and landscape.

  6. step 06

    Use short, broken brushstrokes to define the details of the buildings and the textures of the landscape.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · violet · sap green

Mix muted blues and grays for the sky and water by combining ultramarine blue, burnt umber, and white. Achieve the snow effect by mixing white with small amounts of blue, yellow, and red to create subtle variations in color temperature.

techniques

  • ·broken color
  • ·layering
  • ·expressive brushwork
  • ·scumbling
  • ·color temperature

common pitfalls

  • →overworking the details
  • →using colors that are too saturated
  • →failing to establish a clear focal point
  • →not varying the brushstrokes enough

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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