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home·artworks·Empress Elisabeth of Austria
Empress Elisabeth of Austria by Josef Kriehuber

plate no. 7001

Empress Elisabeth of Austria

Josef Kriehuber, 1865

watercolorBiedermeierportraitportraitfiguredresspearlshairfabric
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering delicate fabrics and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the overall pose and placement on the canvas.

  2. step 02

    Establish the background with a light, blended wash of neutral tones.

  3. step 03

    Begin blocking in the main areas of the dress with thin layers of white, paying attention to the folds and shadows.

  4. step 04

    Mix skin tones using a limited palette and gradually build up the values, focusing on the light and shadow areas of the face and hands.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Paint the jewelry, using highlights to create a sense of shine and dimension.

  7. step 07

    Render the fabric draped near the hand, paying attention to the pattern and color variations.

  8. step 08

    Refine the details and adjust the values to create a cohesive and realistic portrait.

color palette

primary · titanium white · raw umber · cadmium red light

secondary · ivory black · yellow ochre · alizarin crimson

Mix skin tones by combining white, raw umber, and a touch of cadmium red light. Use ivory black sparingly to create shadows. Achieve the off-white of the dress by adding small amounts of raw umber to white.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·color mixing

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Inaccurate proportions of the figure.
  • →Failing to capture the subtle variations in the white dress.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

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