apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Emma Homan
Emma Homan by John Bradley

plate no. 6095

Emma Homan

John Bradley, 1844

oilNaïve Art (Primitivism)portraitportraitchildcatrose bushdressfoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabrics, and creating a sense of depth through layering and subtle shading.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, rose bush, and cat.

  2. step 02

    Block in the background with a muted green tone.

  3. step 03

    Apply base colors for the skin, dress, and other elements.

  4. step 04

    Begin layering and blending to create form and volume, focusing on the face and dress.

  5. step 05

    Add details to the rose bush, including leaves and flowers.

  6. step 06

    Paint the cat, paying attention to its fur texture and markings.

  7. step 07

    Refine the details of the clothing, such as the lace and floral patterns.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · olive green · tan · flesh tones · white

secondary · rose pink · red-brown · gray

Mix flesh tones by combining white, yellow ochre, and a touch of red. Achieve the dress color by mixing burnt umber with yellow ochre and white. Muted greens are created by mixing green with brown and white.

techniques

  • ·flat color blocking
  • ·blending
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Over-blending, which can flatten the image.
  • →Incorrect proportions of the figure.
  • →Getting the skin tones too saturated or unnatural.
  • →Losing the overall composition by focusing too much on small details.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints (olive green, tan, white, yellow ochre, burnt umber, red)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium

optional

  • ·Easel
  • ·Rags or paper towels
  • ·Reference image print

Use a medium-grit canvas for better paint adhesion. Consider using a toned canvas (light brown or gray) to establish the background color more easily.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden