apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Elephants at the Palace of Jodhpore
Elephants at the Palace of Jodhpore by Edwin Lord Weeks

plate no. 6654

Elephants at the Palace of Jodhpore

Edwin Lord Weeks

oil, canvasOrientalismgenre paintingelephantsarchitecturefiguresanimalspalacelandscape
some experience helpful

Recreating this painting will help students develop skills in rendering complex textures, such as the elephant's skin and the intricate details of the palace architecture, as well as understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the elephants, architecture, and figures.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the overall warm tones.

  3. step 03

    Start defining the architecture, paying attention to the details of the arches and windows.

  4. step 04

    Begin layering the colors and textures of the elephants, working from dark to light.

  5. step 05

    Add details to the elephant's decorative coverings, using small brushes to capture the intricate patterns.

  6. step 06

    Paint the figures in the background, focusing on their basic shapes and colors.

  7. step 07

    Refine the details of the foreground, including the animals and ground texture.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt sienna · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red · ultramarine blue · gold

Mix burnt sienna and raw umber for the base tones of the architecture and ground. Add ivory black to create the darker shades of the elephants. Use yellow ochre and cadmium red to create the warm highlights and decorative details.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Getting lost in the complexity of the decorative elements.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt sienna, raw umber, ivory black, titanium white, yellow ochre, cadmium red, ultramarine blue)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti