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home·artworks·El Palacio
El Palacio by Edward Hopper

plate no. 1131

El Palacio

Edward Hopper, 1946

oil, canvasNew Realismcityscapebuildingscityscapeskymountainsarchitecturesigns
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and practice mixing subtle color variations to create a sense of depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the buildings and mountains, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with a light blue-gray wash, allowing for subtle variations in tone.

  3. step 03

    Establish the basic colors of the buildings, using a limited palette of earth tones and grays.

  4. step 04

    Add details to the buildings, such as windows, balconies, and signs, paying attention to their proportions and placement.

  5. step 05

    Create depth by layering colors and values, making the distant mountains and buildings appear lighter and less detailed.

  6. step 06

    Refine the brushwork, using short, deliberate strokes to create texture and visual interest.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious composition.

color palette

primary · titanium white · raw umber · yellow ochre · ultramarine blue

secondary · cadmium yellow · burnt sienna · viridian

Mix various grays by combining white, raw umber, and a touch of blue. Achieve the building colors by mixing yellow ochre, burnt sienna, and white. Use viridian sparingly for the green signage and foliage.

techniques

  • ·blocking in
  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·dry brushing

common pitfalls

  • →Overcomplicating the details of the buildings.
  • →Using too much bright color.
  • →Failing to create a sense of depth.
  • →Ignoring the subtle variations in tone and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·palette
  • ·assorted brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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