
plate no. 1698
Augustus John, 1927
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing loose, expressive brushwork and creating a sense of depth through layering.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, pitcher, and background.
Block in the main areas of color, focusing on the overall value structure.
Begin refining the skin tones, paying attention to subtle shifts in color and value.
Develop the details of the clothing and newspaper, using loose brushstrokes.
Add the patterned background, simplifying the design and focusing on the overall effect.
Refine the form of the pitcher, paying attention to highlights and shadows.
Adjust the values and colors throughout the painting to create a sense of harmony.
Add final details and highlights to bring the painting to life.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · yellow ochre · cerulean blue · cadmium red light
Mix skin tones using white, red, yellow ochre, and a touch of blue or green. Create the darks by mixing ivory black and burnt umber. Use white to lighten values and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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