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home·artworks·Edwin John
Edwin John by Augustus John

plate no. 1698

Edwin John

Augustus John, 1927

oilPost-Impressionismportraitportraitfigurepitchertablenewspaperpatterned background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing loose, expressive brushwork and creating a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, pitcher, and background.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, paying attention to subtle shifts in color and value.

  4. step 04

    Develop the details of the clothing and newspaper, using loose brushstrokes.

  5. step 05

    Add the patterned background, simplifying the design and focusing on the overall effect.

  6. step 06

    Refine the form of the pitcher, paying attention to highlights and shadows.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cerulean blue · cadmium red light

Mix skin tones using white, red, yellow ochre, and a touch of blue or green. Create the darks by mixing ivory black and burnt umber. Use white to lighten values and create highlights.

techniques

  • ·portraiture
  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the freshness of the brushwork.
  • →Making the patterned background too detailed and distracting.
  • →Failing to capture the subtle shifts in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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