apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Edsel B. Ford
Edsel B. Ford by Diego Rivera

plate no. 5399

Edsel B. Ford

Diego Rivera, 1932

oil, canvasSocial Realismportraitportraitfigurecardrawingsuitdesk
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for realistic skin tones, and creating the illusion of depth through layering and subtle value changes. It also provides practice in rendering textures, such as the fabric of the suit.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Block in the main color areas: skin tones, suit, background, and desk.

  3. step 03

    Begin layering the skin tones, paying attention to highlights and shadows to create form.

  4. step 04

    Develop the details of the suit, including the texture of the fabric and the folds.

  5. step 05

    Refine the background, adding details to the car drawing and the surrounding space.

  6. step 06

    Add details to the desk and the drafting tools.

  7. step 07

    Adjust values and colors throughout the painting to create a cohesive and realistic image.

  8. step 08

    Add final highlights and details.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · ultramarine blue · yellow ochre · purple

Skin tones can be achieved by mixing white, raw umber, and burnt sienna, with small amounts of yellow ochre and ultramarine blue for subtle variations. The suit is primarily a mix of white and black, with touches of raw umber to create the gray tone.

techniques

  • ·portraiture
  • ·layering
  • ·color mixing
  • ·rendering fabric texture
  • ·creating depth

common pitfalls

  • →Incorrect proportions of the figure
  • →Muddy skin tones due to overmixing
  • →Lack of depth in the background
  • →Overly simplified rendering of the suit's texture

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to simplify the initial blocking-in stage.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Triumph of the Revolution

Triumph of the Revolution

Diego Rivera

SONG DA HYDROELECTRIC

SONG DA HYDROELECTRIC

Tran Van Can

Police raid

Police raid

George Pemba

Belly Dancers

Belly Dancers

Nuri Iyem

Courtyard with Washing

Courtyard with Washing

John Bratby

Handball

Handball

Ben Shahn

The return of the penitent

The return of the penitent

Luke Fildes

Cross

Cross

Sue Coe