
plate no. 8652
Max Meldrum, 1942
This painting provides practice in capturing likeness through careful observation of values and color temperature. Students will develop skills in portraiture and rendering fabric patterns.
technical profile
approach — 8 steps
Create a light sketch to establish the basic proportions and composition.
Block in the background with a thin layer of dark brown.
Establish the main value masses of the face and clothing using a limited palette.
Refine the facial features, paying close attention to the subtle shifts in value and color.
Add details to the clothing pattern, focusing on capturing the shapes and colors accurately.
Soften edges and blend transitions to create a sense of form and depth.
Add highlights and shadows to enhance the three-dimensionality of the subject.
Make final adjustments to the overall composition and color harmony.
color palette
primary · raw umber · titanium white · cadmium red light · yellow ochre
secondary · ultramarine blue · ivory black
Mix various skin tones by blending white, yellow ochre, and cadmium red light with small amounts of raw umber and ultramarine blue. Use raw umber and ivory black to create the dark background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial blocking-in stage.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Spring, Hudson River
Leon Dabo

Oraibi, Hopi village, Arizona
Xavier Martinez

The Farmyard
Albert Pinkham Ryder

Woodland Vista
Ralph Blakelock

Landscape
Leon Dabo

Untitled (Moon Over a Harbor)
Edward Mitchell Bannister

Afternoon in Piedmont (Elsie Whitaker Martinez)
Xavier Martinez

Near Conway, North Wales
Alexander Helwig Wyant