apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Edisviken
Edisviken by Tove Jansson

plate no. 3160

Edisviken

Tove Jansson, 1937

oilPost-Impressionismlandscapewaterbuildingsindustrialskylandscapehills
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice layering brushstrokes to create texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the buildings, hills, and water.

  2. step 02

    Block in the sky with a light blue, leaving space for clouds.

  3. step 03

    Establish the main color masses for the buildings, hills, and water using simplified shapes.

  4. step 04

    Begin layering colors within each area, using visible brushstrokes to define form and texture.

  5. step 05

    Add details to the buildings, such as windows and structural elements.

  6. step 06

    Refine the reflections in the water, paying attention to color and value.

  7. step 07

    Add the small boat as a focal point.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and balanced composition.

color palette

primary · titanium white · ultramarine blue · burnt sienna · yellow ochre

secondary · cadmium red · viridian green · purple

Achieve the muted tones by mixing complementary colors (e.g., blue and orange) and adding white to soften the intensity. Use a limited palette to maintain color harmony.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating overly smooth surfaces, losing the texture of the brushstrokes.
  • →Ignoring the subtle color variations within each area.
  • →Making the composition too symmetrical or static.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, ultramarine blue, burnt sienna, yellow ochre, cadmium red, viridian green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov