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home·artworks·Edges of April Skies
Edges of April Skies by Richard Whitney

plate no. 2601

Edges of April Skies

Richard Whitney

oilContemporary Realismlandscapetownmountainsbuildingstreesskylandscape
some experience helpful

Recreating this painting will help students develop skills in aerial perspective and creating depth through layering and subtle color variations. It also provides practice in depicting complex scenes with many small details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, town, and foreground, paying attention to the overall composition.

  2. step 02

    Establish the sky color with a thin wash, blending lighter blues and grays.

  3. step 03

    Block in the distant mountains with muted blues and greens, using lighter values for areas further away.

  4. step 04

    Begin layering in the town, starting with the larger shapes of the buildings and roads.

  5. step 05

    Add details to the buildings, varying the colors and values to create depth and interest.

  6. step 06

    Paint the foreground trees and foliage, using darker values and warmer colors.

  7. step 07

    Refine the details and adjust the values to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix muted blues and greens for the mountains by combining ultramarine blue, burnt umber, and a touch of yellow ochre. Achieve the warm tones of the buildings by mixing burnt umber with cadmium red light and yellow ochre.

techniques

  • ·layering
  • ·aerial perspective
  • ·dry brushing
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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