
plate no. 1954
Augustus John, 1938
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing form with visible brushstrokes. It also encourages simplification of details and focusing on overall shapes and values.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and background.
Block in the main areas of color: skin, hair, background, and clothing, using thin washes.
Start building up layers of paint, focusing on the shadows and highlights to define the form.
Mix subtle variations of skin tones using red, yellow, blue, and white.
Use visible brushstrokes to create texture and movement, especially in the hair and clothing.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Adjust the values and colors to create a sense of depth and realism.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · burnt umber · ultramarine blue · cadmium red
secondary · yellow ochre · alizarin crimson
Mix skin tones by combining white, red, yellow, and a touch of blue or umber. Use blue and red to create the background colors. Browns are achieved by mixing umber with other colors.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.
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