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home·artworks·Driving Home the Cows
Driving Home the Cows by Edward Mitchell Bannister

plate no. 3384

Driving Home the Cows

Edward Mitchell Bannister, 1881

oilTonalismanimal paintingcowslandscapetreesfieldfigurepath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and creating depth through layering and tonal variations. It also provides practice in depicting animals in a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the horizon line, the path, the trees, and the general placement of the cows and figure.

  2. step 02

    Establish the basic tonal values by blocking in the dark areas (trees, shadows) and light areas (sky, highlights on the cows).

  3. step 03

    Begin layering colors for the sky, using soft blues and grays, blending them to create a sense of depth.

  4. step 04

    Paint the background landscape, focusing on creating a sense of distance by using muted colors and softer edges.

  5. step 05

    Develop the foreground, adding details to the trees and grass with visible brushstrokes and variations in green and brown.

  6. step 06

    Paint the cows, paying attention to their anatomy and the way light falls on their bodies. Use a variety of browns, whites, and grays to capture their colors.

  7. step 07

    Add the figure on the path, keeping it simple and small to maintain the focus on the cows and the landscape.

  8. step 08

    Refine the details and adjust the overall tonal balance to create a cohesive and atmospheric painting.

color palette

primary · sap green · burnt umber · titanium white · ultramarine blue

secondary · yellow ochre · raw sienna · alizarin crimson

Achieve the muted greens by mixing sap green with burnt umber and titanium white. Create the browns for the cows by mixing burnt umber, raw sienna, and alizarin crimson. Use ultramarine blue and white for the sky, adding a touch of burnt umber for the clouds.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·tonal layering

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Using colors that are too bright or saturated, which can detract from the overall tonal harmony.
  • →Neglecting the importance of value contrast in creating form and depth.
  • →Making the cows too detailed, which can distract from the overall landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (sap green, burnt umber, titanium white, ultramarine blue, yellow ochre, raw sienna, alizarin crimson)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing and maintain tonal harmony.

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oil painting for beginners →how to learn by studying the masters →
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