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home·artworks·Dresden, the Frauenkirche and the Rampische Gasse
Dresden, the Frauenkirche and the Rampische Gasse by Bernardo Bellotto

plate no. 2054

Dresden, the Frauenkirche and the Rampische Gasse

Bernardo Bellotto, 1750

oil, canvasRocococityscapecityscapearchitecturebuildingsskyfiguresstreet
experienced study

Recreating this painting will help students develop skills in perspective drawing, atmospheric perspective, and rendering architectural details. It also provides practice in creating a sense of depth and scale within a complex urban environment.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a detailed perspective sketch of the buildings and street layout.

  2. step 02

    Block in the main shapes of the buildings and sky with thin washes of color.

  3. step 03

    Establish the value structure, focusing on light and shadow.

  4. step 04

    Develop the architectural details of the buildings, paying attention to windows, cornices, and other features.

  5. step 05

    Paint the sky, blending the colors to create a sense of atmosphere.

  6. step 06

    Add the figures and other details in the street, using small brushstrokes.

  7. step 07

    Refine the details and adjust the values to create a cohesive composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the subtle grays and browns by mixing raw umber, white, and small amounts of blue or sienna. Create atmospheric perspective by adding more blue and white to distant objects.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective drawing
  • →Overworking the details
  • →Failing to create a sense of depth
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a fine-grained canvas to allow for detailed brushwork. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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