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home·artworks·Dr. John Sappington
Dr. John Sappington by George Caleb Bingham

plate no. 3737

Dr. John Sappington

George Caleb Bingham, 1834

oilNaïve Art (Primitivism)portraitportraitfiguremanclothinghistoricalface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating subtle value gradations and understanding light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light and shadow areas with a thin wash of color.

  3. step 03

    Begin building up the skin tones, focusing on accurate color mixing and subtle value changes.

  4. step 04

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Paint the hair, using short, broken strokes to create texture and volume.

  6. step 06

    Render the clothing, simplifying the forms and focusing on the overall shape and value.

  7. step 07

    Refine the background, ensuring it complements the figure and doesn't distract from the focal point.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ivory black · titanium white · yellow ochre · burnt sienna

secondary · cadmium red light · ultramarine blue

Mix skin tones using white, yellow ochre, and a touch of red and blue. Use black and white to create the dark clothing and background. Add small amounts of red to the cheeks for a healthy glow.

techniques

  • ·portrait drawing
  • ·color mixing
  • ·value study
  • ·blending
  • ·glazing

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh or unnatural skin tones.
  • →Losing the likeness of the subject.
  • →Neglecting the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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