apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Dr. J. William Littler
Dr. J. William Littler by Richard Whitney

plate no. 4877

Dr. J. William Littler

Richard Whitney

oil, canvasContemporary Realismportraitportraitfiguremanchairbooksuit
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering realistic skin tones, and capturing subtle variations in light and shadow. It also offers practice in painting fabric textures and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on subtle color variations.

  4. step 04

    Begin refining the facial features, paying close attention to light and shadow.

  5. step 05

    Work on the clothing and hands, adding details and textures.

  6. step 06

    Paint the book, capturing its aged appearance.

  7. step 07

    Refine the overall painting, adjusting values and adding highlights.

  8. step 08

    Add final details and glazes to enhance the realism.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · raw sienna · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Darken colors with burnt umber and lighten with white. Use glazes of red and umber to create depth in the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·color mixing
  • ·value studies
  • ·blending

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overblending, resulting in a flat appearance.
  • →Neglecting subtle color variations in the skin tones.
  • →Failing to capture the texture of the clothing and book.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, titanium white, cadmium red, ultramarine blue, yellow ochre, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney