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home·artworks·Dora Rainha do Frevo
Dora Rainha do Frevo by Anita Malfatti

plate no. 6280

Dora Rainha do Frevo

Anita Malfatti, 1934

oilPost-Impressionismportraitportraitfiguredresshairfacebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and creating a sense of depth through subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure on the canvas.

  2. step 02

    Block in the background with a light blue, creating a soft halo effect.

  3. step 03

    Establish the main skin tones using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin to define the features of the face, paying attention to the subtle shadows and highlights.

  5. step 05

    Paint the dress with a light off-white, adding subtle folds and highlights to create volume.

  6. step 06

    Work on the hair, using dark browns and blacks to create texture and depth.

  7. step 07

    Refine the details of the face and dress, adding small touches of color and highlights.

  8. step 08

    Add final touches to the background, softening the edges and blending the colors.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red light · ivory black

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Vary the proportions to create different shades and highlights. The dress is a mix of white with a touch of yellow ochre and blue.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Not paying attention to the subtle variations in skin tone.
  • →Making the background too uniform and flat.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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