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Doors by Roman Selsky

plate no. 8292

Doors

Roman Selsky, 1932

oilPost-Impressionisminteriorinteriordoorflowerscabinetlightshadow
some experience helpful

Recreating this painting will help students understand color temperature and how light affects colors, as well as practice creating depth through overlapping shapes and varying brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the doors, cabinet, and flowers.

  2. step 02

    Block in the large areas of color: the green wall, the yellow light, the brown floor, and the blue door.

  3. step 03

    Begin refining the colors, paying attention to the subtle shifts in hue and value caused by the light.

  4. step 04

    Add details to the flowers and vase, using small brushstrokes to capture their form.

  5. step 05

    Work on the shadows, using darker values of the surrounding colors to create depth.

  6. step 06

    Refine the edges of the shapes, softening some and sharpening others to create visual interest.

  7. step 07

    Add texture to the floor and walls using visible brushstrokes.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · yellow · green · blue · brown

secondary · red · white · grey

Mix greens by combining yellow and blue with small amounts of brown or black to adjust the value. Achieve the yellow light by mixing yellow with white and a touch of orange. Create the blue door by mixing blue with white and a hint of purple.

techniques

  • ·color mixing
  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Failing to accurately capture the color temperature of the light.
  • →Overworking the details and losing the overall sense of harmony.
  • →Not paying attention to the subtle shifts in value and hue.
  • →Creating flat, lifeless colors by not mixing them sufficiently.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Acrylic or oil paints (yellow, green, blue, brown, red, white)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium

optional

  • ·Easel
  • ·Rags
  • ·Apron

Use a limited palette to simplify color mixing and create a more harmonious painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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