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home·artworks·Distribution of Alms and Death of Ananias
Distribution of Alms and Death of Ananias by Masaccio

plate no. 4567

Distribution of Alms and Death of Ananias

Masaccio, 1425

oilEarly Renaissancereligious paintingfiguresarchitecturereligious scenebuildingcityscapelandscape
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in achieving subtle color variations and capturing realistic skin tones.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, paying attention to their relative proportions and placement.

  2. step 02

    Establish the background with a thin wash of muted blues and grays, suggesting the distant mountains and sky.

  3. step 03

    Block in the basic colors of the buildings, using a limited palette of earth tones and whites.

  4. step 04

    Start layering in the colors of the figures' clothing, focusing on capturing the folds and shadows of the drapery.

  5. step 05

    Develop the facial features and skin tones of the figures, using subtle variations in color and value to create a sense of realism.

  6. step 06

    Add details to the architectural elements, such as windows, columns, and decorative features.

  7. step 07

    Refine the overall composition by adjusting values and adding highlights to create a sense of depth and dimension.

  8. step 08

    Add final details and touch-ups to complete the painting.

color palette

primary · ochre · burnt sienna · raw umber · titanium white

secondary · ultramarine blue · cadmium red light · ivory black

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use thin washes to build up layers of color and create subtle variations in value.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Using colors that are too saturated
  • →Failing to establish a clear value structure
  • →Ignoring the subtle variations in skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ochre oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color palette.

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