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home·artworks·Desnudo femenino
Desnudo femenino by Carmen Osés Hidalgo

plate no. 3971

Desnudo femenino

Carmen Osés Hidalgo, 1931

oilPost-Impressionismnude painting (nu)figurenudeportraitcolumnhair
some experience helpful

Recreating this painting will help students practice figure drawing, watercolor washes, and subtle color mixing to achieve realistic skin tones. It will also help with understanding light and shadow on a human form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the figure and background elements (column, wall) with a pencil.

  2. step 02

    Apply a light wash of diluted raw sienna or yellow ochre to the entire figure as a base tone.

  3. step 03

    Begin adding shadows with a mix of burnt umber and ultramarine blue, focusing on the contours and areas where light is blocked.

  4. step 04

    Develop the hair with a mix of burnt sienna and a touch of red, using short, broken strokes to create texture.

  5. step 05

    Paint the background wall with diluted grays and purples, allowing the colors to blend softly.

  6. step 06

    Add the column using a mix of yellow ochre and ultramarine blue for the blue section, and yellow ochre with a touch of burnt umber for the other.

  7. step 07

    Refine the details of the face, paying attention to the subtle shadows and highlights.

  8. step 08

    Add final touches and adjust values as needed to create depth and dimension.

color palette

primary · raw sienna · burnt umber · ultramarine blue

secondary · yellow ochre · red · gray

Mix burnt umber and ultramarine blue for shadows. Use raw sienna as a base for skin tones. Add a touch of red to the hair color for warmth.

techniques

  • ·watercolor washes
  • ·dry brush texture
  • ·glazing
  • ·figure drawing
  • ·subtle color mixing

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Incorrect proportions in the figure drawing.
  • →Using too much water, causing the paper to buckle.
  • →Not allowing layers to dry completely before adding more.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·pencil
  • ·eraser
  • ·water container
  • ·palette

optional

  • ·masking fluid
  • ·palette knife
  • ·spray bottle
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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