apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Deposizione con santi
Deposizione con santi by Francesco Botticini

plate no. 6981

Deposizione con santi

Francesco Botticini

oilEarly Renaissancereligious paintingfiguresreligious scenelandscapecrossskyladder
experienced study

Recreating this painting would help students develop skills in figure drawing, drapery rendering, and creating a harmonious color palette with subtle variations. It also provides practice in depicting emotion and narrative through visual elements.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the cross/ladder.

  2. step 02

    Establish the background sky and landscape with thin washes of color.

  3. step 03

    Block in the main color masses for each figure, paying attention to the overall color harmony.

  4. step 04

    Start layering in details and shadows on the figures, focusing on the drapery folds.

  5. step 05

    Refine the facial features and expressions of each figure.

  6. step 06

    Add details to the cross, ladder, and ground elements.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · red ochre · raw umber · titanium white

secondary · yellow ochre · cadmium red light · ivory black

Achieve the skin tones by mixing white, red ochre, and a touch of raw umber. Use ultramarine blue mixed with white and a touch of raw umber for the sky. Mix red ochre with ivory black and white for the drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery study
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating overly saturated colors that clash with the overall tone.
  • →Failing to capture the correct proportions and anatomy of the figures.
  • →Ignoring the subtle value shifts that create depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Madonna Enthroned with Saints

Madonna Enthroned with Saints

Filippo Lippi

Christ the Judge (detali)

Christ the Judge (detali)

Fra Angelico

The Dead Christ Supported by an Angel

The Dead Christ Supported by an Angel

Antonello da Messina

St. Michael and St. John

St. Michael and St. John

Álvaro Pires de Évora

Penitent St. Jerome

Penitent St. Jerome

Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist

The Madonna and Child with the Infant Saint John the Baptist

Sandro Botticelli

Coronation of the Virgin (detail)

Coronation of the Virgin (detail)

Filippo Lippi

Adoration of the Child

Adoration of the Child

Filippino Lippi