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home·artworks·Demons Armed with Sticks (detail from the Isenheim Altarpiece)
Demons Armed with Sticks (detail from the Isenheim Altarpiece) by Matthias Grünewald

plate no. 7093

Demons Armed with Sticks (detail from the Isenheim Altarpiece)

Matthias Grünewald, 1516

oil, panelNorthern Renaissancereligious paintingdemonsfiguresbirdsticksfantasyreligious
experienced study

Recreating this painting will help students develop skills in rendering complex figures with dramatic lighting and understanding how to create a sense of depth through atmospheric perspective and color temperature.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and their positions.

  2. step 02

    Establish the background with broad washes of dark greens and browns, focusing on atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures with a mid-tone base color.

  4. step 04

    Start building up the forms of the figures using layers of highlights and shadows, paying attention to anatomical details.

  5. step 05

    Focus on rendering the textures of the skin, feathers, and clothing using varied brushstrokes.

  6. step 06

    Add details to the faces and expressions of the demons to convey their malevolent nature.

  7. step 07

    Refine the lighting and shadows to create a sense of drama and depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the flesh tones by mixing raw sienna, burnt umber, and titanium white, adjusting the proportions for highlights and shadows. Darker tones are created by adding ivory black and ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·dry brushing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Using colors that are too saturated, resulting in a lack of depth and realism.
  • →Failing to create a strong sense of light and shadow, making the figures appear flat.
  • →Not paying enough attention to anatomical accuracy, leading to awkward or unnatural poses.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the mid-tones.

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oil painting for beginners →how to learn by studying the masters →
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