apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Death and the Miser
Death and the Miser by Hieronymus Bosch

plate no. 7108

Death and the Miser

Hieronymus Bosch, 1516

oil, woodNorthern Renaissancereligious paintingdeathmiserangelsdemonsbedinterior
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with multiple figures and symbolic elements, as well as understanding the use of glazing and layering to achieve depth and detail.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Prepare the surface with gesso and let it dry completely.

  2. step 02

    Create a detailed underdrawing of the composition, paying attention to proportions and perspective.

  3. step 03

    Block in the main areas of color with thin washes, establishing the overall value structure.

  4. step 04

    Begin layering colors, starting with the darker tones and gradually building up to the lighter ones.

  5. step 05

    Focus on rendering the figures, paying attention to anatomy and expression.

  6. step 06

    Add details such as the objects in the chest, the demons, and the architectural elements.

  7. step 07

    Use glazing techniques to create depth and luminosity in the colors.

  8. step 08

    Apply a final varnish to protect the painting and enhance the colors.

color palette

primary · red ochre · raw umber · ivory black · titanium white

secondary · yellow ochre · Prussian blue · cadmium red light

Achieve the muted tones by mixing earth pigments with white and small amounts of other colors. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overtly bright colors
  • →Inaccurate proportions
  • →Lack of detail in the figures
  • →Ignoring the symbolic meaning of the elements

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Gesso
  • ·Oil paints (red ochre, raw umber, ivory black, titanium white, yellow ochre, Prussian blue, cadmium red light)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Assorted brushes (small round, small flat, medium flat)
  • ·Palette
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley