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home·artworks·David Lloyd George, 1st Earl Lloyd-George of Dwyfor, Prime Minister
David Lloyd George, 1st Earl Lloyd-George of Dwyfor, Prime Minister by William Orpen

plate no. 7646

David Lloyd George, 1st Earl Lloyd-George of Dwyfor, Prime Minister

William Orpen, 1927

oilPost-Impressionismportraitportraitfiguremanclothingdeskpapers
some experience helpful

Recreating this portrait will help students develop skills in capturing likeness, mixing realistic skin tones, and rendering fabric textures. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with a thin wash of color, paying attention to the subtle gradations of tone.

  3. step 03

    Block in the main shapes of the figure, using simplified color masses to define the form.

  4. step 04

    Begin refining the skin tones, layering colors to create depth and realism.

  5. step 05

    Develop the details of the clothing, paying attention to the folds and highlights.

  6. step 06

    Add details to the desk and papers, suggesting texture and form with careful brushstrokes.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · cerulean blue

Mix skin tones by blending raw umber, titanium white, and small amounts of cadmium yellow and alizarin crimson. Use ivory black to darken shadows and create subtle variations in tone.

techniques

  • ·portraiture
  • ·color mixing
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Failing to capture the likeness of the subject
  • →Using colors that are too saturated
  • →Ignoring the subtle value changes that create depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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