
plate no. 1490
John Currin, 1997
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in depicting fabric and floral details.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figures and flowers onto the canvas.
Establish the background color with a thin wash of paint.
Block in the main areas of color for the skin tones, clothing, and flowers.
Begin layering and blending the skin tones, paying attention to subtle shifts in color and value.
Refine the details of the clothing, including the folds and textures.
Paint the flowers, focusing on capturing their delicate forms and colors.
Add highlights and shadows to create depth and dimension.
Make final adjustments to the composition and details.
color palette
primary · titanium white · burnt umber · yellow ochre · cadmium yellow
secondary · alizarin crimson · ultramarine blue · viridian
Achieve skin tones by mixing white, umber, ochre, and small amounts of crimson and blue. Mix greens for the flower stems by blending yellow and blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.
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