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home·artworks·Dans Les Hauts Plateaux, Après L'orage
Dans Les Hauts Plateaux, Après L'orage by Eugène Girardet

plate no. 7766

Dans Les Hauts Plateaux, Après L'orage

Eugène Girardet

oilOrientalismlandscapeskycloudscamelswaterlandscapehorizon
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and capturing reflections in water. It also provides practice in depicting animal forms within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of the camels.

  2. step 02

    Establish the sky with broad, blended strokes of yellow, pink, and blue.

  3. step 03

    Block in the distant landscape with muted browns and greens, creating a sense of depth.

  4. step 04

    Paint the water surface with horizontal strokes, reflecting the colors of the sky and landscape.

  5. step 05

    Add the camels, paying attention to their anatomy and proportions.

  6. step 06

    Refine the details of the landscape, including the vegetation and tents.

  7. step 07

    Add highlights and shadows to the camels and water to create form and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious balance.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · alizarin crimson · raw umber

Mix various shades of brown by combining burnt sienna, raw umber, and ultramarine blue. Achieve the sky colors by blending yellow ochre, titanium white, alizarin crimson, and a touch of ultramarine blue.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of atmospheric perspective.
  • →Failing to accurately depict the reflections in the water.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes sizes 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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