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home·artworks·Daddy's Girl
Daddy's Girl by Eric Fischl

plate no. 9815

Daddy's Girl

Eric Fischl, 1984

oilContemporary Realismnude painting (nu)figuresbuildingtreeskypatiochair
some experience helpful

Recreating this painting will help students develop skills in depicting human figures in natural light and understanding how light affects color and form. It also provides practice in capturing architectural details and creating a sense of depth through perspective and color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the figures, building, and tree.

  2. step 02

    Block in the large areas of color, starting with the sky and the overall tone of the patio.

  3. step 03

    Establish the basic skin tones of the figures, paying attention to the light and shadow.

  4. step 04

    Begin to refine the details of the building, including the windows, stairs, and plants.

  5. step 05

    Add details to the figures, such as facial features and the folds of skin.

  6. step 06

    Paint the tree and surrounding vegetation, using varying shades of green and brown.

  7. step 07

    Refine the details of the patio furniture and the glass, adding highlights and shadows.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and realistic image.

color palette

primary · titanium white · yellow ochre · cerulean blue · raw umber

secondary · cadmium red · sap green · ultramarine blue

Mix skin tones using white, yellow ochre, and a touch of red. Achieve the sky color by blending white and cerulean blue. Use raw umber and white to create the various shades of the building.

techniques

  • ·color mixing
  • ·blocking in
  • ·layering
  • ·scumbling
  • ·rendering form

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the effect of light on the figures and objects.
  • →Getting lost in details too early.
  • →Not establishing a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cerulean blue oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gel

Use high-quality oil paints for best results. A medium-textured canvas will provide a good surface for the brushwork.

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oil painting for beginners →how to learn by studying the masters →
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