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home·artworks·Długa Street
Długa Street by Bernardo Bellotto

plate no. 2116

Długa Street

Bernardo Bellotto, 1778

oil, canvasRocococityscapestreetbuildingsfiguresskycityscapearchitecture
experienced study

Recreating this painting will help students develop skills in perspective drawing, rendering architectural details, and creating atmospheric perspective to suggest depth. It also provides practice in painting figures in motion and capturing the nuances of light and shadow on various surfaces.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and placement of major buildings and the street.

  2. step 02

    Block in the sky with a thin wash of pale blue, allowing for subtle variations in tone.

  3. step 03

    Establish the basic shapes and values of the buildings, paying close attention to the receding perspective.

  4. step 04

    Add details to the buildings, such as windows, cornices, and rooflines, using a fine brush.

  5. step 05

    Paint the street surface, creating a sense of depth through variations in color and value.

  6. step 06

    Add figures and carriages to the street, keeping them small and suggestive to maintain the overall perspective.

  7. step 07

    Refine the details of the figures and buildings, adding highlights and shadows to create form.

  8. step 08

    Add final touches, such as subtle atmospheric effects and small details to enhance realism.

color palette

primary · titanium white · raw umber · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing white with small amounts of umber, blue, and ochre. Use thin washes of color to build up depth and create atmospheric perspective.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective leading to distorted buildings
  • →Overly bright or saturated colors
  • →Lack of atmospheric perspective making the painting appear flat
  • →Inaccurate rendering of architectural details

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Titanium white oil paint
  • ·Raw umber oil paint
  • ·Prussian blue oil paint
  • ·Yellow ochre oil paint
  • ·Burnt sienna oil paint
  • ·Ivory black oil paint
  • ·Round brushes (sizes 0, 2, 4, 6)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine
  • ·Medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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