apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cutting the rice
Cutting the rice by Romualdo Locatelli

plate no. 7757

Cutting the rice

Romualdo Locatelli, 1939

oil, canvasOrientalismgenre paintingfiguresfieldharvestricelandscapechildren
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow in a field environment and capturing figures within a landscape. It also encourages the use of expressive brushstrokes to create texture and movement.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the figures, the horizon line, and the general areas of light and shadow.

  2. step 02

    Establish the base color of the field using a mid-tone yellow ochre.

  3. step 03

    Block in the darker areas of the field with a mix of burnt umber and yellow ochre, paying attention to the direction of the brushstrokes to suggest the texture of the rice.

  4. step 04

    Add highlights to the field using a lighter yellow, mixed with white, focusing on areas where the light is hitting the rice.

  5. step 05

    Paint the figures, starting with the darkest shadows and gradually adding highlights. Use short, broken brushstrokes to blend the colors and create a sense of form.

  6. step 06

    Refine the details of the figures and the field, adding small touches of color and texture to create visual interest.

  7. step 07

    Add the background elements, keeping them soft and blurred to create a sense of depth.

  8. step 08

    Review and adjust the values and colors to create a harmonious and balanced composition.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · raw sienna · ultramarine blue

Achieve variations in the field by mixing yellow ochre with burnt umber for shadows and titanium white for highlights. Add small amounts of ultramarine blue to darken shadows and create subtle color shifts.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating too much contrast, resulting in a harsh and unrealistic image.
  • →Ignoring the direction of the brushstrokes, which can flatten the image.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to create a harmonious color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti