apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Crucifixion
Crucifixion by Lorenzo Monaco

plate no. 0640

Crucifixion

Lorenzo Monaco, 1410

oilEarly Renaissancereligious paintingcrucifixionreligious figureangelsgold backgroundrockscross
some experience helpful

Recreating this painting will help students develop skills in figure drawing, understanding of light and shadow on the human form, and creating a convincing gold background using layering techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the cross, figure, angels, and rocks.

  2. step 02

    Apply a base layer of gold paint to the background.

  3. step 03

    Block in the main shapes of the figure and angels with thin washes of color.

  4. step 04

    Develop the values on the figure and angels, paying attention to the light source.

  5. step 05

    Add details to the figure, such as the face, hair, and drapery.

  6. step 06

    Refine the background, adding texture and subtle variations in color.

  7. step 07

    Paint the details of the cross, the INRI inscription, and the blood.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · gold · raw umber · ivory black

secondary · red ochre · ultramarine blue · titanium white

Achieve the gold background by layering yellow ochre, burnt sienna, and a touch of metallic gold. Mix skin tones using white, raw umber, and a touch of red ochre. Create the angel's robes by mixing ultramarine blue and ivory black.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·figure drawing

common pitfalls

  • →overworking the gold background
  • →incorrect proportions of the figure
  • →muddying the colors
  • →lack of attention to detail

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·acrylic paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container

optional

  • ·palette knife
  • ·retarder medium
  • ·metallic gold paint
  • ·varnish

Use high-quality acrylic paints for best results. Consider using a retarder medium to slow down the drying time of the acrylics, allowing for more blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Madonna Enthroned with Saints

Madonna Enthroned with Saints

Filippo Lippi

Christ the Judge (detali)

Christ the Judge (detali)

Fra Angelico

The Dead Christ Supported by an Angel

The Dead Christ Supported by an Angel

Antonello da Messina

St. Michael and St. John

St. Michael and St. John

Álvaro Pires de Évora

Penitent St. Jerome

Penitent St. Jerome

Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist

The Madonna and Child with the Infant Saint John the Baptist

Sandro Botticelli

Coronation of the Virgin (detail)

Coronation of the Virgin (detail)

Filippo Lippi

Adoration of the Child

Adoration of the Child

Filippino Lippi