
plate no. 0640
Lorenzo Monaco, 1410
Recreating this painting will help students develop skills in figure drawing, understanding of light and shadow on the human form, and creating a convincing gold background using layering techniques.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the cross, figure, angels, and rocks.
Apply a base layer of gold paint to the background.
Block in the main shapes of the figure and angels with thin washes of color.
Develop the values on the figure and angels, paying attention to the light source.
Add details to the figure, such as the face, hair, and drapery.
Refine the background, adding texture and subtle variations in color.
Paint the details of the cross, the INRI inscription, and the blood.
Add final highlights and shadows to create depth and dimension.
color palette
primary · gold · raw umber · ivory black
secondary · red ochre · ultramarine blue · titanium white
Achieve the gold background by layering yellow ochre, burnt sienna, and a touch of metallic gold. Mix skin tones using white, raw umber, and a touch of red ochre. Create the angel's robes by mixing ultramarine blue and ivory black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality acrylic paints for best results. Consider using a retarder medium to slow down the drying time of the acrylics, allowing for more blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Madonna Enthroned with Saints
Filippo Lippi

Christ the Judge (detali)
Fra Angelico

The Dead Christ Supported by an Angel
Antonello da Messina

St. Michael and St. John
Álvaro Pires de Évora

Penitent St. Jerome
Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist
Sandro Botticelli

Coronation of the Virgin (detail)
Filippo Lippi

Adoration of the Child
Filippino Lippi