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home·artworks·Crucifixion
Crucifixion by Andrea del Castagno

plate no. 7675

Crucifixion

Andrea del Castagno, 1450

oil, panelEarly Renaissancereligious paintingcrucifixionfiguresreligious sceneskylandscapecrosses
experienced study

Recreating this painting will help students develop skills in figure drawing, creating atmospheric perspective, and understanding the use of light and shadow to create form. It also provides an opportunity to study classical composition and narrative painting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and crosses.

  2. step 02

    Block in the background sky and landscape with thin washes of color, focusing on the atmospheric perspective.

  3. step 03

    Roughly sketch the figures on the crosses, paying attention to anatomical accuracy and proportions.

  4. step 04

    Begin adding layers of paint to the figures, building up the form with light and shadow.

  5. step 05

    Paint the drapery of the figures at the base of the crosses, focusing on the folds and highlights.

  6. step 06

    Refine the details of the faces and hands, capturing the expressions and gestures.

  7. step 07

    Add the blood details and refine the texture of the wood on the crosses.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium red light

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of burnt sienna. Create atmospheric perspective in the background by adding more white and raw umber to the colors.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly bright or saturated colors
  • →Ignoring the atmospheric perspective
  • →Lack of attention to detail in the faces and hands

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·medium

Use high-quality oil paints for best results. A medium can be used to thin the paints and speed up drying time.

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