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home·artworks·Crimea. Monastery of St. Cosmas and St.Damian.
Crimea. Monastery of St. Cosmas and St.Damian. by Anna Ostroumova-Lebedeva

plate no. 6976

Crimea. Monastery of St. Cosmas and St.Damian.

Anna Ostroumova-Lebedeva, 1924

woodcutPost-Impressionismlandscapelandscapemountainbuildingtreesskyriver
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering colors to create depth. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, building, and river.

  2. step 02

    Block in the sky with a light wash of yellow and blue.

  3. step 03

    Establish the mountain's form with varying shades of blue and gray, creating depth with lighter values in the distance.

  4. step 04

    Paint the trees using a mix of greens and browns, varying the tones to suggest depth and texture.

  5. step 05

    Define the building's structure with light grays and whites, adding details like windows and roofs.

  6. step 06

    Add the river using blues and grays, reflecting the sky and surrounding landscape.

  7. step 07

    Refine the details of the trees, building, and river, adding highlights and shadows.

  8. step 08

    Add final touches to the sky and mountain, ensuring a cohesive and atmospheric effect.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · sap green · raw sienna

Mix blues and yellows for various greens, add white to lighten colors for the sky and distant mountain, and use umber to darken shadows.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking details too early
  • →Creating muddy colors by overmixing
  • →Ignoring the importance of value contrast
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-textured canvas to allow for better paint adhesion and texture.

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related guides

color theory for painters →how to learn by studying the masters →
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