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home·artworks·COVER FOR THE SATURDAY EVENING POST, SEPTEMBER 26, 1931
COVER FOR THE SATURDAY EVENING POST, SEPTEMBER 26, 1931 by Alan Stephens Foster

plate no. 4306

COVER FOR THE SATURDAY EVENING POST, SEPTEMBER 26, 1931

Alan Stephens Foster, 1931

oilRegionalismillustrationboywagonfencechildrenbasketred and white checkered blanket
some experience helpful

Recreating this painting will help students develop skills in rendering textures like woven basket and fabric, as well as depicting figures in perspective and capturing a narrative scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boy, wagon, fence, and background figures.

  2. step 02

    Establish the background with a light wash of greens and blues for the grass and sky.

  3. step 03

    Block in the main shapes of the boy, wagon, and fence, using simplified color values.

  4. step 04

    Begin adding details to the wagon, including the basket weave and the red and white checkered blanket.

  5. step 05

    Refine the boy's figure, paying attention to the folds in his clothing and the details of his face and hair.

  6. step 06

    Add the background figures, simplifying their forms and colors to create a sense of distance.

  7. step 07

    Add details to the fence and the surrounding environment, such as the shadows and highlights.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and visually appealing image.

color palette

primary · raw umber · titanium white · cadmium red light · sap green

secondary · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining raw umber, titanium white, and small amounts of other colors. Achieve the green hues by mixing sap green with yellow ochre or ultramarine blue.

techniques

  • ·blocking in
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Neglecting the perspective of the background figures
  • →Inaccurate proportions of the boy and wagon

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·sap green oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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