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home·artworks·Cover Design, Unpublished, Portrait of Virginia Woolf
Cover Design, Unpublished, Portrait of Virginia Woolf by Aydin Aghdashloo

plate no. 7197

Cover Design, Unpublished, Portrait of Virginia Woolf

Aydin Aghdashloo

watercolor, crayon, paperContemporary Realismportraitportraitfigurewomanprofilefacehair
some experience helpful

Recreating this painting will help students develop skills in portrait drawing, particularly in capturing subtle tonal variations and anatomical accuracy. It also provides practice in creating soft, diffused edges and a sense of depth through layering.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic outline of the head and shoulders, paying attention to proportions.

  2. step 02

    Refine the sketch, focusing on the accuracy of facial features like the eyes, nose, and mouth.

  3. step 03

    Begin adding light washes of diluted watercolor to establish the overall tonal values.

  4. step 04

    Gradually build up darker tones in areas of shadow, such as around the eyes, under the nose, and along the jawline.

  5. step 05

    Use crayon or pencil to add finer details, such as the eyelashes, eyebrows, and hair strands.

  6. step 06

    Soften edges and blend tones using a clean, damp brush.

  7. step 07

    Add subtle highlights to create a sense of form and dimension.

  8. step 08

    Evaluate the overall balance of values and make any necessary adjustments.

color palette

primary · sepia · raw umber · ivory black

secondary · burnt sienna

Achieve the subtle tonal variations by diluting the primary colors with water. Use burnt sienna sparingly to add warmth to certain areas, like the cheeks and lips.

techniques

  • ·tonal layering
  • ·soft blending
  • ·hatching
  • ·contour drawing
  • ·watercolor washes

common pitfalls

  • →Overworking the details and losing the soft, diffused quality.
  • →Creating harsh lines and edges instead of smooth transitions.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much color and overpowering the subtle tonal variations.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper (140lb or heavier)
  • ·Watercolor paints (sepia, raw umber, ivory black)
  • ·Graphite pencils (HB, 2B)
  • ·Round watercolor brushes (various sizes)
  • ·Clean water
  • ·Palette for mixing paints
  • ·Eraser
  • ·Paper towels

optional

  • ·kneaded eraser
  • ·watercolor pencils
  • ·ruler
  • ·spray fixative

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

watercolor techniques →how to learn by studying the masters →
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